Posted on Mar 4, 2016 •. It seems like 4k video on a tiny 1/2.3 in compact sensor packed with pixels may be pushing things just a little too far and you’ll get just as good results from the 1080p modes. If the camera’s mode dial is set to Aperture or Shutter Priority, you can remotely adjust the aperture or shutter speed respectively, and in Manual you can change both. PDF VIEW FULL SPECS Metrics Dimensions (W x H x D) 112.0 x 64.0 x 38.0 mm; Dimensions (W x H x D) (4.41 x 2.52 x 1.50 inch) Weight Approx. Consequently the TZ80 / ZS60 sticks with the 30x 24-720mm equivalent f3.3-6.4 lens used in the previous two generations – the TZ70 / ZS50 and the TZ60 / ZS40 before it. In use, the TZ80 / ZS60’s autofocus is quick and accurate. Customs services and international tracking provided +C $45.81 shipping. Pre-Owned. So though you’re getting more pixels shooting with the TZ80 / ZS60 in 4k video mode, thanks to the noise you’re not really getting more detail or better image quality. Switch to AVCHD format and the options are 1080p50/60 at 28Mbit/s, 1080i50/60 at 17Mbit/s (from 50p sensor output) or 24Mbit/s (from 25p sensor output). After downloading the … That’s a little better than the 250 shots you’ll get with the Canon PowerShot SX720 HS, but the SX720 HS’s Eco energy saving mode extends that to a more generous 355 shots. That’s not so important as there are now more programmable function buttons than before – four in all compared with two on the earlier TZ70 / ZS50, and of course the touch screen provides more opportunities for configuring settings. This is a great question for which I do not have an immediate answer. Add this product to your shortlist for comparison, Shedding some light on the sources of noise, Panasonic Lumix DMC-ZS60 / TZ80 real-world samples and studio comparison, Far-reaching: Panasonic Lumix DMC-ZS100 / TZ100 hands-on preview, Pocket Panasonic: Lumix DMC-ZS60 / TZ80 packs 4K video, improved AF and new sensor, Canon EOS Rebel T8i (EOS 850D / EOS Kiss X10i), Olympus M.Zuiko Digital ED 12-100mm F4.0 IS Pro, Time for a re-invention for us older photographers, * The Weekly Image Thread 20 12 02 #505 *. C $320.00. An a/c adaptor and a USB cable are included in the box, though you can use any USB Micro B cable and any suitable power source, you can’t externally power the camera while shooting. With a maximum optical focal length of 720mm on a body with a minimal grip, it’s very important to have effective image stabilisation. First introduced in January 2016, Panasonic Lumix DMC-ZS60 is a 18.0MP Small Sensor Superzoom camera with a 1/2.3" (6.17 x 4.55 mm) sized CMOS sensor, built-in Image Stabilization and 24-720 mm F3.3-6.4 lens. You can also use the touch-screen while composing with the viewfinder to reposition the AF area. There are four physical buttons labelled Fn1 to Fn4 and all can be reassigned to other functions including ISO sensitivity – something that wasn’t possible on the TZ70 / ZS50. If you want to know more about how you can use the Post Focus feature take a look at my Lumix FZ330 / FZ300 review where I cover it in a little more depth. In my review I’ve tested its many features and drawn comparisons with Canon’s new 40x pocket super-zoom, the PowerShot SX720 HS. Gordon’s gone into more detail about 4K Photo in his Lumix GX8 review and I’ve demonstrated it later in the review, along with the Post Focus feature. We have 3 Panasonic LUMIX DMC-ZS60 manuals available for free PDF download: Owner's Manual, Basic Owner's Manual, Basic Operating Instructions Manual . Disappointment of the year , really Tony? The Panasonic LUMIX ZS60 Digital Camera combines performance with ease of use. And you can expect the hit rate to fall pretty dramatically with faster moving and less predictable subjects like animals or football players. Other video features include snap movie, which records a short clip of between two and eight seconds in length. Above: Here you can see the Lumix TZ80 / ZS60’s touch focus in action. It’s slightly disappointing that you can’t change the drive mode remotely, that has to be done on the camera, however once you’ve set a drive mode it is then possible to alter, say, the continuous shooting speed, or self-timer delay. This corresponds to a speed of 10.76fps. It’s interesting to compare these crops with the ones in my Lumix TZ100 / ZS100 review where the 4k crop from the TZ100 / ZS100’s larger 1 inch sensor does produce more detail. Like other recent Lumix models with 4k video, the TZ80 / ZS60 also supports Panasonic’s 4k Photo mode – a fun way of exploiting the fact 4k video captures an 8 Megapixel image up to 30 times a second. While you can use the camera’s physical controls to alter the settings the touch screen provides a slide out panel allowing you to do so silently. In 49 Area mode it’s used to position the 9×9 grid of AF points within the overall 7×7 area matrix that covers the entire screen. Lumix DMC-ZS60: Effective megapixels: 18.10: Total megapixels: 18.90: Sensor size: 1/2.3" (~ 6.16 x 4.62 mm) Sensor type: CMOS ... Panasonic Lumix DMC-TZ80 equivalent aperture: Crop factor = 5.62 Aperture = f3.3 - f6.4 35-mm equivalent aperture = (f3.3 - f6.4) × 5.62 = f18.5 - f36. See our Panasonic ZS60 review for all the details! Although you wouldn’t know to look at it, the major change on the TZ80 / Z60’s rear panel is of course the touch-screen. I found the best results were achieved with the TZ80 / ZS80 set to 49 Area AF mode using the central AF area grouping. The TZ80 / ZS60’s combined battery and card compartment is accessed via a door in the base – note it’s not possible to change the card or battery when the camera is mounted on a tripod. Should I buy a new Pen F or a new OMD EM-1 Mk III? Furthermore, the LUMIX TZ80 newly integrates the Low Light AF to let you shoot a star in the night sky with auto focus by accurate calculation of the contrast value in a smaller AF zone. The second problem is before letting you upload anything directly from the camera you’ll first need to register for Panasonic’s free Lumix Club. In the image below, the 4k coverage is indicated by the outer edge of the red frame, resulting in a not insignificant reduction in the field of view; indeed when filming 4k video, the equivalent range is cropped from 24-720mm to 33-990mm – good news at the long-end, but you lose quite a bit of coverage at the wide-end. Returning to the Lumix TZ80 / ZS60’s movie modes, the 4k options record Ultra High Definition video (3840×2160 pixels) at 25 or 30fps depending on region, and at a bit rate of 100Mbit/s in an MP4 wrapper. But with the introduction of the TZ100 / ZS100 it’s changed direction, opting for a larger one-inch sensor combined with a shorter 10x zoom. I’m very pleased to see the touch-screen return to the TZ / ZS series and it’s one of the big advantages the TZ80 / ZS60 holds over Canon’s SX720 has which has neither a touch-screen nor a viewfinder. On the rear panel, what used to be the Wi-fi button is now the Fn1 programmable function button – labelled and assigned by default to 4K photo mode with Fn2 just below and to the left of it for the new Post Focus mode. 4896 x 3672 4896 x 3672 Sensor. There are two modes; Exact, which positions the AF area at the coresponding point where you tap the screen and Offset, which works like a trackpad, moving the AF area from its original position as you drag on the screen. At 112 x 64 x 38mm it’s just a millimetre wider and three and a half millimetres thicker, and its 282g weight with a battery and card is just 39g heavier than before. Below are 100% crops made from the 4k footage on the left and the 1080p footage on the right. So while the new TZ100 / ZS100 with its larger 1in sensor may steal the headlines, not to mention the low-light performance, the TZ80 / ZS60 quietly updates its already capable predecessor to become the most powerful 30x pocket super-zoom around. Moving on, the Lumix TZ80 / ZS60 records 1080p at up to 28Mbit/s in AVCHD or MP4 modes. If you switch the Lumix TZ80 / ZS60 on while it’s charging an alert that tells you ‘To begin charging turn the camera off’ is displayed. The first table below shows the Lumix TZ80 / ZS60 at its maximum 24mm equivalent wide angle setting with, as I’ve said, the aperture set to f3.3. And although its zoom is longer, the PowerShot SX720 matches the f3.3 focal ratio of the TZ80 / ZS60 at the wide end, closing to f6.9 when fully zoomed in. The camera allows you to get closer to the action, without disturbing the subject – perfect for pictures and videos of wildlife, or more natural shots of friends and family. Results matching fewer words. Lumix DMC-ZS60 and Lumix DMC-TZ80 are the exact same camera, they just have different names in different countries. Above: Here’s the Lumix TZ80 / ZS60’s 4k Live Edit mode in action. You could of course frame grab from video externally, but Panasonic has made it easy to perform the whole process in-camera. Traditionalists will love the hands-on manual feel of a lens-mounted control ring and thumbwheel, plus the familiarity of an eye-level electronic viewfinder. This is designed for shooting subjects like children and pets that move in an unpredictable manner. After a little fine-tuning of the sensitivity you’ll be able to capture the perfect moment when you’re at the top of your leap. The LEICA DC VARIO-ELMAR 30x (24-720mm) super-zoom lens capture everything from superbly detailed long-range close ups to great group shots and stunning landscapes. You can also choose whether to copy images in their original resolution, or in one of two smaller versions. The Lumix DMC-ZS60 (TZ80 outside of North America) is a compact travel zoom with a 30X, 24-720mm equivalent lens. Panasonic’s previous strategy with the TZ / ZS series was to maintain the same optical specifications across two generations. You can tap anywhere on the live image to set the AF area or directly take the shot. It’s no surprise that that the Lumix TZ80 / ZS60 bears more than a passing resemblance to its predecessor – indeed the newer model is almost identical in appearance to the earlier Lumix TZ70 / ZS50. The TZ80 / ZS60 lacks the TZ100 / ZS100’s custom multi and pinpoint modes, but these are only likely to be employed on rare occasions and during my time with the Lumix TZ80 / ZS60 their absence was never really an issue. So it’s still very pocketable; round-cornered and lacking in protrusions, it’ll actually fit in the front pocket of loose fitting jeans, but remains a more comfortable fit in a jacket or coat. I specified a 20 second clip with the start point on the left of the 4k frame at the widest possible setting and an end point in the middle of the frame at the narrowest (most zoomed-in) possible position. The LUMIX DMC-TZ80’s outstanding optical capability is underpinned by a high-end LEICA lens with 30x Zoom (24-720mm), for performance that far outweighs its compact body. Had Panasonic stuck with, say, 12 Megapixels, the individual pixels would have been a little larger and the crop for 4k video not as severe. Set to RAW, I captured 13 frames in 1.23 seconds for a speed of 10.57fps before the camera stopped shooting. But in Aperture and shutter priority modes both controls adjust the same thing – either the aperture or shutter speed respectively and they both Program shift in P mode. Panasonic Lumix DMC-TZ80 equipped with a 30x (24-720mm) LEICA DC VARIO-ELMAR super zoom lens allowing you to capture anything from a stunning landscape to getting up close to a shot when you can't get close.. As we had said of 2015's TZ70, the TZ80's built-in Wi-Fi does a decent job of sharing files direct from camera. You can simply tap the screen to position the AF area in single area mode. Note that the 1080p crop on the right shows a larger area with smaller detail not just because of the lower resolution of the 1080p clip, but the wider field of view. The Lumix TZ80 / ZS60 retains the TZ70 / ZS50’s built-in 1166k dot electronic viewfinder which also features on the higher-end Lumix TZ100 / ZS100. FUNCTIONAL ACCESSIBILITY – The "Ever Ready" is designed for efficient photography and accuracy. You can also tap the screen to pull focus during recording, or of course use the lens control ring. MegaGear Panasonic Lumix DC-ZS70, DMC-LX10, DMC-ZS60, DMC-ZS100, DMC-LX15, DC-TZ95, DC-TZ90, DMC-TZ80, DMC-TZ100 Leather Camera Case with Strap - Black - … It then takes a short while to process the results before displaying a composite on screen. You can still shoot, but the battery won’t start charging until you turn the camera off. It’s clear from the views above that filming in the 1080 modes captures a wider field of view, but how does the quality compare? You can also add a monochrome to colour fade in our out effect, as well as a simple exposure fade. I then alternately tapped the screen in the region of the chalk board on the bar in the background and the pint to shift the focus back and forth between them. A little surprisingly, as both models employ Depth from Defocus, the TZ80 / ZS60’s touch AF isn’t as sure-footed as its high-end sibling the TZ100 / ZS100. Multiple AF uses 49 areas to determine the best focus regions and there’s a single area AF option with a resizeable AF area that can be moved around the screen. To put the OIS system to the test on the TZ80 / ZS60, I zoomed it into its maximum 720mm equivalent focal length and took a series of photos at progressively slower shutter speeds first without stabilisation, then with, to see what it was capable of ironing-out. And when you’re in Face detect mode you can select which eye you want to focus on by tapping it. This digital camera offers a minimum focal length of 24 mm and a maximum focal length of 720 mm. Photos can be composed on a 3" touchscreen display or a 0.2", 1.16M-dot electronic viewfinder. To illustrate the difference in coverage I compared actual 4k footage I filmed with the TZ80 / ZS60 against still photos when using the same lens setting and position. Announced in January 2016 alongside the flagship TZ100 / ZS100, the Lumix TZ80 / ZS60 effectively becomes its ‘cut-down’ sibling, but it is arguably the true successor to last year’s TZ70 / ZS50, while the TZ100 / ZS100 starts a new series with a larger sensor to differentiate it. New to both the TZ80 / ZS60 and TZ100 / ZS100 is 4k Live Cropping which exploits the resolution of a 4k frame to provide a digital pan and zoom feature at 1080p resolution. The AF is struggles to settle and this low-light clip is also quite noisy. EM1X 2.0...really good...reeeaaally good... Mini Challenge #609: What made a Vacation memorable? It’s a really fun way to exploit the technology in your pocket. What I couldn’t have done without is the touch screen, so all credit to Panasonic for re-introducing it on this model as well as the higher end TZ100 / ZS100. WHY IT’S A TOP PICK:Tremendous zoom capability and desirable viewfinder in a pocket sized camera. When the shutter is pressed the TZ80 / ZS60 fires a short burst in 4k mode using the electronic shutter. LUMIX 4K Digital Camera ZS60, 18 Megapixels, 24-720mm LEICA DC Lens Zoom, WiFi and Electronic Viewfinder - Black DMC-ZS60. 18.10 . The Lumix TZ80 / ZS60 has four focus modes, 1-Area, 49-Area, Tracking and Face / Eye Detection. Fitted with a UHS-3 card and set to AFS, I fired-off 45 Large Fine JPEGs in High mode in 4.18 seconds before it began to stutter. Like the Lumix TZ100 / ZS100, the TZ80 ZS60’s AF also supports Panasonic’s Depth from Defocus technology to deliver a quicker response and better continuous AF. There’s also manual focus with focus peaking. Above:Â Panasonic Lumix TZ80 / ZS60 Aperture priority 1/125, f3.3, 400 ISO, 4.3mm (24mm equivalent). Above:Â Lumix TZ80 / ZS60 Post Focus, Aperture Priority, 1/160, f6.1, 200 ISO, -2/3EV 101.7mm (567mm equivalent). The stabilisation was enabled and it does a great job of keeping things wobble-free, particularly at the full 720mm extent of the zoom. New to the TZ80 / ZS60 is a higher resolution 18 Megapixel sensor (vs 12 on the TZ70 / ZS50), support for 4k video and the reinstating of a touch-screen (after skipping it for three previous generations) in order to work with the Post Focus mode. Here’s a selection of clips to demonstrate the TZ80 / ZS60’s video performance in various conditions. So to help you manage those expectations, the long zoom may let you get closer to wildlife or sports subjects, but may struggle to keep them in focus if they’re moving, especially in lower light. image resolution. But it’s difficult to determine which way to go – is the current focus position in front of or behind the subject? Announced at this year's CES, the Panasonic Lumix DMC-TZ80 (also known as the Panasonic Lumix DMC-ZS60) features a 30x optical zoom (24-720mm equivalent) and is a replacement for last year's TZ70. Another advantage the touch screen provides is additional programmable function buttons. The remote control feature shows a live image on your phone or tablet’s screen allowing you to take a photo or start or stop a video recording. Contrast detect AF systems in models like the TZ80 / ZS60 adjust the focus to try and achieve higher contrast in edge detail. There’s four continuous shooting modes on the Lumix TZ80 / ZS60: Low (2fps with Live View), Medium (5fps with Live View), High (10fps without Live View) and Super High (40fps for a burst of 60 frames and at a reduced resolution of 4.5 Megapixels using the electronic shutter). I also have a version in 400 ISO. This is essentially the same as the 25-750mm equivalent range of Canon’s earlier PowerShot SX710 HS, but with the newer PowerShot SX720 HS Canon has extended the zoom to 40x with a range in 35mm terms equivalent to 24-960mm. The LUMIX ZS60 brings the legendary optical performance of a 30x (24-720mm) LEICA DC Lens to a highly portable point-and-shoot travel camera. You can simply tap the screen to select the focus point.